Melodrama Unbound: Across History, Media, and National Cultures (Film and Culture) (Paperback)

Melodrama Unbound: Across History, Media, and National Cultures (Film and Culture) By Christine Gledhill (Editor), Linda Williams (Editor) Cover Image

Melodrama Unbound: Across History, Media, and National Cultures (Film and Culture) (Paperback)

By Christine Gledhill (Editor), Linda Williams (Editor)

$42.00


Not On Our Shelves—Ships in 1-5 Days

For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.

Pointing to melodrama's roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.
Christine Gledhill is a visiting professor in cinema studies at the University of Sunderland. She is the author of Reframing British Cinema, 1918-1928: Between Restraint and Passion (2003); editor of Home Is Where the Heart Is (1987); and coeditor of Doing Women's Film History: Reframing Cinemas Past and Future (2015). Linda Williams is professor emerita in film & media and rhetoric at the University of California, Berkeley. Her books include Hard Core: Power, Pleasure and the "Frenzy of the Visible" (1989/1999); Playing the Race Card: Melodramas of Black and White from Uncle Tom to O.J. Simpson (2001); and On The Wire (2014).
Product Details ISBN: 9780231180672
ISBN-10: 0231180675
Publisher: Columbia University Press
Publication Date: May 8th, 2018
Pages: 440
Language: English
Series: Film and Culture