Curator Juliet Hacking—former head of the photography department at Sotheby’s, and now program director at the Sotheby’s Institute—has sifted primary and secondary sources to write the thirty-eight short, opinionated profiles in Lives of the Great Photographers (Thames & Hudson, $50). Each begins with a portrait (or self-portrait), and includes one or two representative images as well, beautifully printed on glossy paper. Familiar names are here—Arbus, Atget, Brassaï, Capa, Kertész, and Cameron—but so are names that are less well-known, and whose stories are no less intriguing: Madame Yevonde, Shōmei Tōmatsu, Claude Cahun, Clementina Maude (Lady Hawarden), Gustave Le Gray, and Albert Renger-Patzsch. The biographies have a cumulative power: they are arranged alphabetically, and by leapfrogging decades, formal approaches, historical movements, and changing critical opinion, you can make your own connections between eras, yet also see the hard work of each individual finding his or her own style. To quote Roy DeCarava, from Hacking’s profile: “documentary photographer…people photographer, street photographer, jazz photographer, black photographer…there’s nothing wrong with any of those definitions. The only trouble is that I need all of them to define myself.”